<< Go Back up to Region ‘United Kingdom: outside London’
|Follow Mike Hume’s Historic Theatre Photography:|
The Bristol Hippodrome was designed by Frank Matcham, a prolific theatre designer in the UK, and opened on 16 December 1912. At its opening the theatre featured a huge water tank at the front of the stage which could be filled with 100,000 gallons (450,000 litres) of water, as well as an opening central dome in the auditorium to allow for ventilation.
The Bristol Hippodrome was Frank Matcham’s last major work. Matcham designed the Hippodrome for theatre manager Sir Oswald Stoll of Moss Empires, for whom he had previously designed the London Coliseum (1904). The Hippodrome was designed on such a scale it was second only to the Coliseum across the entire Moss Empires theatre circuit.
Respecting Bristol’s long-standing maritime connections, the theatre features a maritime theme throughout its Baroque decoration. The Grand Staircase, leading from the entrance lobby to the rear of the Stalls, originally featured backlit stained glass naval battle scenes. A few panels still remain. There are a number of porthole-shaped windows, stained glass lighthouse motifs, and plaster decoration throughout the auditorium styled after knotted ropes.
The auditorium is wide and not overly deep, comparisons having been drawn with the London Palladium. The Stalls (Orchestra) seating is aggressively raked which affords good sightlines from any row, with the minor inconvenience of shallow steps in the aisle. At Grand Circle level there are two rows of three boxes at each side, surrounded by grand Doric columns which rise up between the boxes to support the Upper Circle slips. The Upper Circle remains bench seating although it is now upholstered rather than being plain wood. The proscenium arch is 48ft wide with an elliptical arched top, set within a deep reveal sporting niches either side at stage level, and originally with intricate portraiture in the panels above.
The auditorium’s circular dome can be opened using a sliding mechanism, located on the roof, to provide ventilation. The original painted decoration on the dome’s interior flat ceiling, dome surround, supporting pendentives (featuring nymphs frolicking in the ocean), and at the sides of the proscenium, has all been lost.
The original stage machinery included a 100,000 gallon tank which could be filled with heated water. The rear section of the stage, 40ft by 32ft, would lift up so that the front section of the stage, including footlights, could slide backwards underneath it, revealing the massive water tank. The tank was 42ft wide and 27.5ft front-to-back, with a maximum depth of 7.5ft. Ramps ran from the bottom of the tank up to stage level on either side. The tank contained four platforms (“tables”), each running the width of the tank, which could be independently raised or lowered to simulate varying depths of water or to create water effects through movement. The positional depth of each table was relayed to the main switchboard, by wires, so that the operator knew each table’s position within the tank. The orchestra and audience were protected from water splashes by a 50ft long, 6ft high glass screen, which could be raised at the push of a lever. A novel feature was a lighting gallery for arc lamps “immediately behind the top of the proscenium, which permitted a fine concentration of light particularly useful for illuminating the water”.
The stage was originally a hemp house, however after a fire that consumed the entire stagehouse in 1948, it was rebuilt with a stronger grid and full counterweight flying system. Being roughly a 60ft+ cube, it remains one of the largest stagehouses in the UK outside of London. The stage was originally raked however the rake was removed in 1988. This leads to some confusion as to why radiators are mounted 2.5ft higher than expected on the stage’s rear wall, and explains why there are ramps down to stage level from the dock doors and loading area upstage right.
The theatre is able to accommodate the largest touring shows and, amongst many premieres, was home to the out-of-town tryout of Cameron Mackintosh’s Mary Poppins in 2004, prior to its record-breaking West End and Broadway runs and subsequent national tours.
An often-overlooked feature Front Of House is that the Hippodrome utilized a central air vacuum system whereby hoses were plugged-in to a local outlet and carried dust/debris away to the central vacuum. It is very rare to see this type of system used in the UK.
The theatre currently seats 1,951, is operated by Ambassador Theatre Group, and stages shows direct from London’s West End as well as regional tours and local theatre. The theatre’s retractable dome is still operable and was last known to have been opened in August 2017. Click here to watch a video of the retractable dome operating in 2013.
As of March 2017, theatre tours are available most Saturday mornings and the occasional weekday. Tours commence 10:30am at the main entrance on St Augustine’s Parade. Tours run approximately 2 hours and include several levels of stairs. The tour takes you around front of house and backstage areas, and includes the history, the shows, the stars, and of course a smattering of gossip and ghost stories.
For more details see the Bristol Hippodrome’s Theatre Tour website . Advance reservations not required although recommended to ensure your chosen tour is not full. Note: Backstage access is dependent on the visiting company’s theatre operations on the day of your tour and is not guaranteed.
|Counterweight System||65 Bars/Linesets (4-line) all Single Purchase at 200mm spacings aside from larger gaps to accommodate Grid Truss/Tie-bars. Permanently-rigged Hemp Set between Bars 15 and 16 slung under Grid lattice truss.|
|Minimum Bar Length||52ft|
|Safe Working Loads||1,100lbs or 650lbs roughly evenly distributed across system - refer to detailed plan for each bar's SWL.|
|Standard Rigging||Bar 1: House Header; Bar 2: House Curtain; Bar 3: Hard Proscenium Header (Teaser). Hard Adjustable Tormentor Legs dead-hung between Bars 3 and 4.|
|Balcony Overhang||Front of Grand Circle overhangs Row P of Stalls|
|Seating Capacity||1,951 (Stalls: 887, Grand Circle: 507, Upper Circle: 503, Boxes and Slips: up to 96, although many of these seats are not regularly used and hence not included in the overall seating capacity)|
|Theatre Masking||5 sets Black Legs/Borders and 1 full Black|
|Followspots||2 x Lycian 1290 XLT (2kW Xenon); Box will accommodate up to 4 spots|
|Followspots to Setting Line||103ft|
|Houselights||Not DMX; controlled from DSR or LX Control Room (rear Grand Circle)|
|Minimum Depth||16ft 6in|
|Minimum Height||7ft 7in|
|Width in front of Stage||40ft 5in|
|Width under Stage||35ft 3in|
|Minimum Stage Width||74ft 4in|
|Proscenium Arch maximum height||30ft|
|Proscenium Arch width||47ft 9in|
|Setting line location||Rear of Fire/Safety Curtain (Iron)|
|Setting line to front of stage||3ft 6in|
|Setting line to last counterweight lineset||48ft 7in|
|Setting line to stage rear wall||55ft 4in|
|Stage Floor to Fly Floors||28ft|
|Stage Floor to Grid||58ft 7in|
|Usual Tormentor Width||40ft (adjustable)|
|Width between Fly Floors||58ft 3in|
Photographs copyright © 2002-2019 Mike Hume/historictheatrephotos.com unless otherwise noted.
Text copyright © 2017-2019 Mike Hume/historictheatrephotos.com.
For photograph licensing and/or re-use contact me here.
|Follow Mike Hume’s Historic Theatre Photography:|